Dream Recorder

For contrabass recorder, video, and mirrors, premiered by Alana Blackburn, 19 November 2024, New England Regional Art Museum, Armidale, NSW, as part of the symposium Towards the Multimodal Sensorium: Experience, Wellbeing and Creativity.

Supralateral

For accordion, e-guitar, baritone sax, video, lo-fi electronics, and a starling bird whistle, premiered by Vertixe Sonora Ensemble, 21 June 2024, Alte Schmiede, Vienna.

What the River Doesn’t Say About Itself

[video-essay] 3 musicians on boats on The River Goolay’ari. Journal of Embodied Research, as part of their special issue on ‘Ecologies of Embodiment’, collaboration with The Music Box Project – 8’56”.

Whale Fall

For flute, violin, cello, e-bass, piano, percussion, electronics, video, and spoken word (dream recall recordings). Performance was on the 4 July 2021 with Ensemble New Babylon, Theater am Leibnizplatz, Schulstraße, Bremen, Germany.

Water Pail

8 cooking oil drums, 8 transducers and solo percussionist (performance and sound art installation), exhibited at World Square, Sydney, as part of the Now You Hear Her festival.

Serpentine

For erhu and percussion with video and spoken word – 8′

Premiere: 20 July 2017, Claire Edwardes (percussion), Lui Ying (erhu), Aden Rolfe (poet) at The Playhouse, Western Sydney University, Penrith Campus (Kingswood), in Australia.

A Sense of Space

For flute, guitar, and soprano with percussion – 10′

Premiere: 5 March 2016, Alba Bru Carci (flute), Diego Castro Magaš (guitar), Peyee Chen (soprano/percussion) St. Paul’s Hall, University of Huddersfield, UK.

Lines of Fragmentation

For trumpet, trombone, and two percussionists – 6’03”

Premiere: 17 February 2016, ESMUC Ensemble L’Auditori in Barcelona, Spain.

Hyperbodies

For computer controlled piano – 10’29”

Premiere: 25 October 2015, Phipps Hall at the University of Huddersfield, UK.

Animal

For violin, ’cello, percussion, keyboard, and choir with video score – 10′ [and video]

Premiere: 16 April 2015, Warwick Stengårds (conductor), Elizabeth Layton (violin), Simon Cobcroft (’cello), Gabriella Smart (piano), Andrew Penrose (percussion), and the Adelaide Philharmonic Choir. Anne & Gordon Samstag Museum, University of South Australia, Australia.

Copy-Make

Interactive video installation, documentation video – 6’16”

Premiere: 13-25 February 2015, Composition Beyond Music, Impuls Music Academy, Graz, Austria.

Memory Tape

For ’cello, trombone, and recorded media – 11′

Premiere: 5 February 2015, Stephen Menotti (trombone), Ellen Fallowfield (’cello) St Pauls Hall at Huddersfield, UK.

Mapping Australia

For piano, electronics with video score – 7′ [and video]

Premiere: 30 August 2014, Tamara Anna Cislowska (piano). Playing with Fire Event, Performance Space, Western Sydney University, Australia.

Second Performance: 4 November 2014, Gabriella Smart (piano). Soundstream’s Emerging Composers Forum, Elder Conservatorium of Music, University of Adelaide, Australia.

Undulations

For two soprano saxophones – 6’09”

Premiere: 3 November 2014, Tokyo University Players, Asian Music Festival, ACL Young Composer’s Competition, Minato Mirai Hall, Yokohama, Japan.

Temporal Planes

For electronic media – 17’04”

Premiere: 10 March 2013, Broadcast on Kunstradio, Austria, by Frequency Oz.

Finding Kensho

For chamber orchestra – 8’15”

Premiere: 28 January, 2012, Benjamin Northey (conductor) Melbourne Symphony Orchestra. Iwaki Auditorium, ABC Southbank Centre, Melbourne.

Antibiosis

For chamber ensemble: flute (including piccolo), clarinet, tenor sax, piano, percussion, cello and recorded media – 10’25″ Not yet premiered. [Film shown in a concert at Western Sydney University, 2011]

The Expansive Water

For chamber orchestra – 7’36″ Not yet premiered. [Film shown in a concert at Western Sydney University, 2010]